![]() Today, “The Paranormal Couple” has dedicated their time and care to those in need, both living and dead. Names became more known to the public, their haunted collection began to expand. Objects, Oddities, and Curiosities.” What started out as a few reportedly haunted items from clients, grew into a large collection of objects from around the world. This ability has enabled both of them to gain a better understanding of the other side and to help bring messages to those who need it most.Ĭody and Satori are also the curators of “The Paranormal Couple’s Haunted Museum of What makes their communication different than psychics or mediums is that intelligent communication can be heard by others too. it seems that they have the ability to open a door to intelligently communicate with the other side. Cody and Satori found that when they are together. After working together on a few TAPS cases, they found that they had a connection to each other like no other. Curators of “The Paranormal Couple’s Haunted Museum of Objects, Oddities, and Curiosities”Ĭody Ray DesBiens and Satori Hawes are paranormal investigators/researchers with The Atlantic Paranormal Society (TAPS), which was founded by Satori’s father (Jason Hawes) inġ990. Periodic Cast Members on the Travel Channel’s “Ghost Nation” series A comparative analysis of encounter dialogues can help us understand the importance of encounter dialogues in what has been called the "sinification" of Buddhism during the Song.-Paranormal Investigators with The Atlantic Paranormal Society (TAPS) Through a comparative approach focused on the literary features of encounter dialogue (their brevity, focus on action, and lack of descriptive indexes), we can understand (1) how and why encounter dialogues classify as a type of text Erich Auerbach calls “history” and (2) why encounter dialogue collections consistently comment on encounter dialogues as allowing practitioners to meet their ancestors. Though encounter dialogues, which typically describe interactions between masters and students in the Zen tradition, have enjoyed some significant attention in Buddhist studies recently, what has remained underdeveloped is the study of these texts as literature. I do this through a reading of the Record of Linji. My article provides a new understanding of a Chinese Zen ("Chan") Buddhist literary genre called “encounter dialogue,” arguing that this genre implicitly and explicitly invites its readers to visualize Zen Buddhist patriarchs. Keywords: Zǔtáng jí Chán master Jìngxiū Zhāoqìng monastery Quánzhōu Chán Chán Buddhist literature lamp records Goryeo Buddhist canon Eventually, this article serves as the first part of a research summary on the textual history of the Zǔtáng jí aimed at facilitating further studies on this highly important Chán text. In addition, we demonstrate that further research is needed to support the hypothesis according to which the original Zǔtáng jí would correspond to the first two fascicles of the received Goryeo edition of 1245. Most importantly, this study investigates in detail two idiomatic expressions used by Jìngxiū (i.e., “ shuǐhè easily arise” “ wū and mǎ are difficult to distinguish”), showing their significance for understanding the preface. The essay focuses on elements of textual history, the possible incentives behind the compilation of the Zǔtáng jí, and Jìngxiū’s perception of the text. Building on a recent TEI-based edition, it offers an annotated translation and comprehensive analysis of the preface, with special attention to its structure, linguistic features, and issues of intertextuality. Abstract: This paper examines Chán master Jìngxiū’s preface to the original Zǔtáng jí in one scroll, which was presented to him by Jìng and Yún at the Zhāoqìng monastery in Quánzhōu around the mid-tenth century. ![]()
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